Monday, 26 September 2016
So, confirmation in the last few days that Class begins on October 22nd, on BBC 3. There will be two episodes shown that night, and Peter Capaldi has been confirmed as appearing in the first of them, to help get the ball rolling.
War is Coming, and the last time we had a character named Quill they turned out to be a right rum 'un.
In which the Doctor pursues an alien object that appears to be on a collision course with Earth. The object suddenly jumps a time track, and the Doctor must land as close to where and when it landed as he can. The TARDIS materialises in an alleyway at night. The Doctor decides to break into a building to ask if anyone has seen the object fall. He is shocked to learn that this is London, in the middle of the Blitz. Metal objects have been falling from the skies every night. Rose spots a small boy on a nearby rooftop. Going to his aid, she climbs up towards him. Seizing hold of a convenient rope, she discovers too late that it is attached to a barrage balloon which has come untethered. It drifts away with her dangling below - wearing a Union Jack T-shirt in the midst of a German air raid. She is spotted by an RAF captain, an American volunteer named Jack Harkness. He rescues her using a forcefield, as he has an invisible spaceship parked next to Big Ben. The Doctor meanwhile meets a girl named Nancy. He is shocked to hear the telephone in the TARDIS door ring, as it isn't connected to anything. He hears a child's voice asking for its mummy. Nancy warns him not to go near the child, then vanishes.
The Doctor manages to follow her, and sees her enter a house after its occupants have gone down into their air-raid shelter. She opens the door to a group of children, who will feast on the family's abandoned dinner. The Doctor sneaks in and joins them. They are all orphans, who Nancy looks after and feeds every night during the raids. A small boy wearing a gas mask comes to the door, and everyone is terrified of him. The children flee out the back door. Nancy tells the Doctor that if he wants to know about the boy, he should speak to Dr Constantine at the Albion Hospital. The Doctor goes there and meets the doctor. He looks after dozens of comatose patients, all wearing gas masks, and who have identical injuries. He explains that a small boy was brought in with the same injuries, and these spread to everyone else like a contagion. The gas masks are actually fused to the face. Constantine is also afflicted, and the Doctor witnesses him transform. Meanwhile, Jack has told Rose that he is really from the 51st Century, and is responsible for the alien object which they had detected. It is a Chula warship and he wants to sell it. They trace the Doctor and go to the hospital, where all the gas masked zombies awake and lumber towards them. At the same time, Nancy has been trapped in the house with the little boy.
As the people are all repeating what the little boy had said about seeking his mummy, the Doctor orders them to their room, as though they were naughty children. The gamble works. They go to the room where the boy had first been brought to try and learn more about him. The child turns up - as this is exactly where the Doctor had told him to go. They come under attack by the rest of the zombies. Jack manages to teleport to his ship, and brings the Doctor and Rose on board soon after. The Doctor notices that the ship is full of nonogenes, which can repair injuries. Jack's ship is also Chula technology. He is convinced that Jack is responsible for what if happening, but he insists that the object was simply a Chula ambulance. They go to where it crashed - railway sidings close to the hospital. Nancy joins them. She reveals that the boy is her little brother, Jamie, and he was the victim of a bomb blast one night when he went out looking for her. The Doctor deduces that there is more to it than this. Jack's ambulance was full of nanogenes. They found the boy and brought him back to life, as they are programmed to fix soldiers and return them to the front line. Not knowing anything about human physiology, they made a mistake. They are now fixing all the humans they encounter, using the boy as their template. Nancy isn't Jamie's sister but his mother. The Doctor hopes that the nonogenes will recognise this. They restore everyone, including Jamie. Jack had been operating a con - knowing that once he had sold the ambulance it would be destroyed by a German bomb that is due to fall in a few minutes. He uses his spaceship to capture the bomb and flies into space with it. He cannot defuse it or offload it, and so prepares to face death. However, the TARDIS materialises on board and he is able to get off his ship before it is destroyed.
This two part adventure was written by Steven Moffat, and was first broadcast on 21st and 28th of May, 2005. It sees the first appearance of Captain Jack Harkness, played by John Barrowman. Moffat will, of course, go on to write one story per season for the duration of Russell T Davies' tenure as show-runner, before taking on that role himself. He is due to handover to Chris Chibnall after Series 10.
Unlike many others of the first series writers, Moffat had not been a New Adventures writer, though he had contributed short stories to anthology collections. Davies knew him from a number of successful TV shows he had written (e.g. Press Gang and Coupling), and he was known to be a massive fan of the series.
The original series had tended to shy away from World War II. It only becomes a setting in the final season. Earlier writers had tried to pitch stories set at this time, with no success - Brian Hayles, creator of the Ice Warriors, had a story proposal called "Dr Who and the Nazis" back in the 1960's, and Douglas Camfield had also tried to get a WW2 script commissioned by Philip Hinchcliffe.
With a creepy child in a gas mask, Moffat could do nothing but place his story during the London Blitz, which lasted from September 1940 through to May 1941.
Moffat was given the task of introducing a new regular character - Captain Jack. He is an ex-Time Agent, from the 51st Century, now working as a con-man. Davies knew that the season was going to end with a major battle, and so needed a soldier - to do what the Doctor could never do.
He has an American accent, and cracks bad jokes. He is also omnisexual, and talks a lot about sex. When Davies had first been announced as show-runner, certain sections of the press worried that the show might have a "gay agenda", but it is Moffat who gives us the campest character of the new series. When we first meet him, he is flirting with a British officer, and he uses this relationship to infiltrate the railway yard where the ambulance has crashed. He also makes it clear that he bedded both his male and female captors in an unseen adventure. Moffat goes further, with the revelation that it is Mr Lloyd, rather than his missus, who has been providing sexual favours to the local butcher to get their enhanced rations.
The title of the second episode puzzled everyone at the time it was announced, but we now know that "dancing" is a euphemism for sex - especially in Moffat scripts.
For a two-parter, there is actually just a relatively small cast. Main guest artist is Richard Wilson playing Constantine. He's best know for playing the curmudgeonly Victor Meldrew in One Foot In The Grave. Nancy is played by Florence Hoath - a superb performance. She often played younger than her real age.
- Albion Hospital features. This was the hospital seen in Aliens of London.
- The bomb which Captain Jack diverts has "Bad Wolf" written on its side in (very bad) German.
Overall, a splendid two episodes. Great CGI, great performances and a lovely comedic streak running through what could have been an extremely dark story. Voted 7th of 241 in the DWM 50th Anniversary poll, and deservedly so.
Things you might like to know:
- The sequence with Nancy and the children with the typewriter was a late addition as the second episode was under-running. Of course it makes no sense that Jamie should be able to type remotely, as it was clearly stated he could only hack anything with a speaker. Moffat wrote the scene whilst on holiday with his wife. She had no love for the show at the time, and so he had to pretend that he was working on something else.
- The station next to Albion Hospital is named Limehouse Green. There is no such station - it being a composite name derived from Limehouse and Stepney Green in East London.
- "Everybody Lives!" exclaims the Doctor. Yes, it's one of those rare stories in which no-one dies. There are a handful in the original series (e.g. Fury From The Deep).
- Prior to production on the series commencing, a number of the writers got together in West London for an Indian meal, to celebrate their commissioning. Present were Moffat, Mark Gatiss, Rob Shearman and Paul Cornell. The restaurant was called the Chula.
- Star Trek gets referenced - Rose looking for a bit of "Spock" in terms of fancy technology - implying that it is a fictional series in the Doctor Who universe. A couple of years ago there was that comic book crossover with Star Trek, in which the Cybermen teamed up with the Borg, and the Eleventh Doctor joined forces with the crew of the Enterprise-C. The story Closing Time also indicates that Trek is a known fictional TV sci-fi show, Russell T Davies longed to have a crossover with ST: TNG, if only to see the Doctor puncture Starfleet pomposity.
- "Are you my mummy?" - this story's catchphrase - will be repeated by two later Doctors. After donning a gas mask, the Tenth Doctor says it to UNIT's Colonel Mace in The Poison Sky, and the Twelfth will ask it of the Mummy on the Orient Express.
- The exact date of this story is never specified, but we will later learn in Torchwood that Captain Jack disappeared in January 1941.
- Time Agents operating in (or from) the year 5000 AD were first mentioned by Magnus Greel in The Talons of Weng-Chiang.
- Bananas. Moffat has a thing about bananas. Bananas and "squareness" guns. See The Girl in the Fireplace and the Silence in the Library two-parter. The Doctor "dances" in the former as well.
- A quick look at Google Translate has "Bad" come out as Schlecht in German. On the bomb is "Schlechter Wolf". Is it supposed to mean it's a Badder, or More Bad Wolf?
- Jack talks about "Volcano Day" - referring to the eruption of Mount Vesuvius in 79 AD, This would have had more significance had RTD's original outline for the series been followed, as the next story would have seen the TARDIS crew arrive in Pompeii on the eve of its destruction.
- The episode title The Doctor Dances is unusual for a couple of reasons. Historically, story titles tended to be of the Noun of the Noun variety, though verbs do feature in individual episode titles in the Hartnell era. Those early episodes also mention the Doctor in their titles - usually absent from overall story titles, but this will become common as the new series progresses - to the point that we get a run of Something of the Doctor stories.
- The bomb-site at the railway yard was filmed at Barry Island, just a few hundred yards from where the Holiday Camp in Delta and the Bannermen had been filmed.
- The show plays fast and loose with the concept of the Blackout. Jack is framed wonderfully in an open window, of a brightly lit room, when we first see him - despite that fact that an air-raid is in full swing. Limehouse Green is also lit up like a Christmas tree. No wonder the Badder Wolf bomb finds it. The production team had set up a huge floodlight to shine on the area. This kept all the locals awake with its brilliance, and producer Phil Collinson claimed that he could see it from several miles away as he drove towards the location. The floodlight was scrapped, and a number of ground level lights put in its place.
- Apparently Jack, as an American, would never have been able to be a captain in the RAF in the early part of 1941. The first squadron of US volunteers wasn't created until August of that year. Any Americans who had managed to enlist before - some coming via the Royal Canadian Air Force - would not have attained a captain rank.
Tuesday, 20 September 2016
Three figurines to add to the collection this month. The two regular releases are the fly-headed Tritovore from Planet of the Dead, and the Cyberman from The Wheel In Space.
The special release is the latest of the subscriber-only Daleks.
The Tritovore is a fairly bland figure. He's posed rather awkwardly, like he is suffering from a dislocated hip. The Cyberman represents the show's second major redesign for the men from Mondas. The accompanying magazine for this one shows how the original design was supposed to have looked - a grey plastic body with only minimal cybernetic enhancements.
The Dalek is clearly one of the multi-coloured movie ones, but it is presented here as belonging to The Chase. That's because a couple of static movie Dalek props, with their bases removed, were used in the background for a couple of scenes to swell their ranks. As this figurine doesn't have its base off, I am not sure why they didn't just present it as a movie Dalek and be done with.
Can't wait for a release of the Special Stealth Dalek from the same story - the one disguised as camera 5, seen lurking amidst the jungles of Mechanus.
Next scheduled release will be a Vervoid from The Trial of a Time Lord (Parts 9 - 12).
Sunday, 11 September 2016
The Keeper of the Conscience of Marinus. This ancient machine was kept in a pyramid on an island, surrounded by a sea of acid. It generated pacifying waves that stopped the population from committing criminal activity. Worried that it might be misused, Arbitan had four of its vital keys hidden in locations around the planet. His fears proved justified, as a man named Yartek found a way to overcome its influence. His followers, the Voord, wanted to take over the machine to enslave all of Marinus to their will. Arbitan worked out how to make the Conscience effective once more, and so sent his friends off to find the keys in order to reset it. None returned - even his daughter Sabetha and her friend Altos. When the Doctor and his companions arrived on the island, Arbitan forced them to go in search of the keys - placing a force-field around the TARDIS to coerce them into complying.
Shortly after they had departed, using wristband travel dials, the Voord infiltrated the pyramid and murdered Arbitan.
When the travellers finally returned with the keys, Yartek pretended to be Arbitan - claiming he had been disfigured by a discharge from the machine. His scheme was seen through, and the use of a fake key killed him as well as destroying the Conscience. The Doctor told Sabetha that the people of Marinus should not need a machine to tell them the difference between right and wrong.
Played by George Couloris. Appearances: The Keys of Marinus (1964).
- It's quite a coup for the early days of Doctor Who - getting an actor who had appeared in that movie classic Citizen Kane.
- The dialogue is confusing about how old Arbitan is. He talks as if he built the Conscience, but it is supposed to have been running for centuries.
- And if Yartek and his Voords are the only people to have overcome the effects of the machine, why do the Doctor and his companions encounter so much villainy everywhere they go on the planet?
Arak formed a double act with his wife Etta, as they commented on the activities of the Sixth Doctor and Peri in the Punishment Dome on the planet Varos. Arak worked in the Zeiton mines, and like the rest of the population settled down to watch a diet of torture and death on the view screens at the end of a long shift. His was not a happy marriage. When he cast Etta's vote for her she threatened to report him, and it looked as if he really believed she would. The Doctor and Peri joined forces with the rebel Jondar and together they managed to smash the political system on Varos. The Governor discontinued the broadcasts, and Arak and Etta were left wondering what to do now. With increased prices being paid for the Zeiton ore, no doubt Arak would have an easier time of it from now on. Whether or not he and Etta were any happier is another story.
Played by Stephen Yardley. Appearances: Vengeance on Varos (1985).
- Uniquely, Arak and Etta are two major characters in a story who never once interact with the Doctor or his companion. They act as a Greek Chorus, commenting upon what they - and we - are seeing, in a story that is (at least partly) about the power of broadcast media.
One of the Earth colonists enslaved by the Giant Spiders on the planet Metebelis 3. Arak had attacked one of the human overseers who worked for the Spiders, after he had struck Arak's mother. Now a fugitive, his father believed that he could act as a focus for rebellion to overthrow the "Eight Legs". The Doctor arrived on the planet in pursuit of Sarah Jane Smith, who had been accidentally transported there. He had been struck down by the Spiders' energy weapons. Arak was able to retrieve a device which saved the Doctor. The Doctor gave Arak a means of defence against the Spiders - a special stone to be worn against the forehead. Unfortunately this failed to be effective, and Arak was taken over and used to recapture the Doctor. He was freed when the Doctor aided the Great One in her own destruction. Presumably, he would have taken command of the colonists after the defeat of the Spiders.
Played by Gareth Hunt. Appearances: Planet of the Spiders (1974).
- Hunt is best known for his role as Mike Gambit, of The New Avengers, as well as a long-running series of coffee commercials. He first came to fame in the popular period drama series Upstairs, Downstairs.
- Until UK Health Secretary Jeremy came along, his name was also used as a rather rude Cockney rhyming slang insult.
A young Atlantean woman who befriended the Second Doctor and his companions. She helped get a message to Professor Zaroff, which saved them from being sacrificed to hungry sharks. She later allied herself with them against the scientist, once it was clear that he intended to destroy her city.
Played by Catherine Howe. Appearances: The Underwater Menace (1967).